Director - Hugh Hudson
Script - Colin Welland
Camera - David Watkin
Music - Vangelis
Cast - Nicholas Farrell, Nigel Havers, Ian Charleson, Ben Cross, Daniel Gerroll, Ian Holm, John Gielgud
Producer - David Puttnam
Production - Allied Stars, Enigma Productions

The true story of Eric Liddle (Ian Charleson) and Harold Abrahams (Ben Cross) who ran for British and Scottish gold in the 1924 Olympics despite great personal obstacles. Liddle, a devoutly religious man, would not run his qualifying heat because it fell on a Sunday, while Abrahams, who was Jewish, faced anti-Semitism.

Sporting events today have become rancorous, angry affairs where the motto, more frequently than not, is "win at all costs." Exhibitions of good sportsmanship are about as rare as selflessness. Everyone is out for themselves. So it's refreshing to look back at an era when victory didn't demand isolation, bitterness, and hatred of one's rivals. Chariots of Fire, the Oscar-winning 1981 film, transports us to the 1924 Olympics, and, in the process, highlights such commendable qualities as commitment, perseverance, and fraternity.

There's barely a whiff of melodrama in Chariots of Fire, which makes the film-watching experience all the more effective – director Hugh Hudson shows respect for the integrity of his material and the intelligence of his audience. The absence of mawkish moments provides the narrative with a genuine quality that supports its factual background. Not only do we care about the characters, but we accept that they really existed. In fact, the entire production claims that same sense of verisimilitude. Most sports movies rely on nostalgia and adrenaline – Chariots of Fire stands on strong writing, direction, and acting. Appreciation of this picture doesn't demand a love of sports, merely an understanding of human nature.

James Berardinelli, Reelviews


Oscar ’82 – Best Costume Design (Milena Canonero), Best Music, Original Score, Best Picture, Best Writing, Screenplay Written Directly for the Screen and nominations for Best Actor in a Supporting Role (Ian Holm), Best Director, Best Film Editing (Terry Rawlings ); BAFTA ’82 – Best Costume Design (Milena Canonero), Best Film, Best Supporting Artist (Ian Holm) and nominations for Anthony Asquith Award for Film Music, Best Cinematography, Best Direction, Best Editing (Terry Rawlings), Best Production Design/Art Direction (Roger Hall), Best Screenplay, Best Sound (Clive Winter, Bill Rowe, Jim Shields), Best Supporting Artist (Nigel Havers); Cannes ’81 – Best Supporting Actor (Ian Holm), Prize of the Ecumenical Jury – Special Mention (Hugh Hudson) and nomination for “Golden palm”; Golden Globes ’82 – Best Foreign Film; Toronto ’81 – People's Choice Award


  • 20.03.2021
    ”LUMIERE LIDL” CINEMA - 18.30 часа
  • 09.05.2021
    DOM NA KINOTO - 18.30 часа
  • 27.09.2021
    CINEMA ODEON - 18.00 часа